Wargaming Tradecraft: blending




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Painting Hair with Style


 As a follow up to my previous post on the progress of my Janessa conversion, I'm going to describe how I've painted her hair.

If you missed it, I've also covered painting fur in the past.

These are both topics that can be pretty tricky so I hope I've helped to shed some light on them. Ask away in the comments if you have any questions.

Fun side-story. This model's become known as "Maybelline" because people feel the hair I've sculpted for her is too blocky. Looks like a cape they say. In response, I tell them, "Maybe it's Maybelline." This actually becomes relevant a little later as it helped inspire the technique I ended up using.

Washing, Painting Light Colours and Layering Paint


"Nobody wants to paint yellow."
"Fine, I'll paint yellow."
"OK, you get Skull Bearers and White Scars."
"Wait... white too??"
- Ryan, manager of Warhammer store #88 and I.

He and the manager of another store were competing to see who could fill the Adeptus Astartes poster full of marines first. We, Canada, won.

The question gets asked often enough that I decided to use the opportunity to write a tutorial on painting White and Yellow including the techniques involved in the process.

Bonus, is my first video tutorial. You really should keep reading...

Painting the Mountain King's Stones


After painting the Mountain King's skin, his stones were the other large task I was faced with. It meant a lot of airbrushing, time consuming edge highlighting and possibly the most tedious task I have ever done in my time painting.

All well worth it and along the way his "stones" became more "crystal." The artistic process is a fluid one. Allow your vision to shift if things start veering away from your original destination as long as you're pleased with how it's coming together.

Take a look at the Elemental King's completed photos and an outline.