Wargaming Tradecraft

Wednesday, July 29, 2015

Painting the Mountain King's Loin Cloth

Next up in the saga of the Elemental King, I've got a brief article on his loin cloth. (haha) Not really anything fancy going on here, but I'll cover it nonetheless.

Base Coat

As I've demonstrated before, stippling / sponging is a great way to paint leather because of the texture it adds. So as an undercoat, I've painted some layers of mixed size dots by changing up how firm I'm pressing the sponge onto the surface. I want the cloth to be red when I'm done, so I use a number of red and browns of different brightnesses. Because of the nature of leather, don't even wait for paint to dry - let it mix.

At this stage, don't worry about the details of stitching that hold the sections together. That'll get painted later.

Wednesday, July 22, 2015

Painting the Mountain King's Stones

After painting the Mountain King's skin, his stones were the other large task I was faced with. It meant a lot of airbrushing, time consuming edge highlighting and possibly the most tedious task I have ever done in my time painting.

All well worth it and along the way his "stones" became more "crystal." The artistic process is a fluid one. Allow your vision to shift if things start veering away from your original destination as long as you're pleased with how it's coming together.

Take a look at the Elemental King's completed photos and an outline.

Wednesday, July 15, 2015

Painting the Mountain King's Skin

Today I'm going to demonstrate the number 1 question I received during the Mountain King project - How I painted his skin.

There were a lot of steps to it, but I'll show the ones that stand out. Most of the photos are hi-res so you can click them to get a more detailed view.

Overall, it basically came down to:

- Stippling with a sponge.
- Airbrushing.
- Painting deep shadows.
- Highlighting with weathering powders.
- Shading subtle shadows.
- Varnish.

Wednesday, July 08, 2015

Mountain King's Chipped Pearl Mani-Pedi

Another change I decided to make to the Mountain King was to replace all his finger and toe nails with real chipped pearl.

The other thing I'll show off here is using a Dremel to make the process easier.

You can see an example here of how it looks when I finished.

I had considered replacing his teeth with stones, but that was looking a little logistically crazy and to be honest, I liked how his teeth looked. While rooting through my terrain bits I came across the pearl chips and it all came together.

You can also carve the nails out with a knife, but a rotary tool is just tons easier and faster.

Wednesday, July 01, 2015

Sculpting the Mountain King

When I decided to prop the Mountain King's hand up on a log, the last thing I was expecting was it to turn into the mass amount of resculpting this project required. The model was designed to go together in a specific way, with no allowance for repositioning.

It was a blast to do all the work though. I learned more about sculpting with green stuff on a larger scale as well as how to blend it seamlessly into the actual model.

Without further ado, lets look at what was involved...

Wednesday, June 24, 2015

Pinning Heavy / Large Models to Bases (and Mountain King WIP)

"Overkill is my style...
and I think big." *
Today I'm going to look at a couple ways to attach models to their bases that'll be more secure than just gluing them down. On larger scale models or those that are heavy, you really want to make sure they're firmly attached to their base, won't rock around, snap if they're jostled or apply too much pressure to the terrain around their feet. You'll also get to see more photos of how the Mountain King project came together.

I've discussed simple and advanced pinning before, which is the act of drilling holes in the joints of larger models so that when you glue it together, you can stick metal rods in and strengthen the connection.

Don't feel bad if you don't get this sci-fi reference. It's super obscure and Canadian. Although, yes, that's the Human Centipede guy.


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