Wednesday, August 26, 2015
painted and gel'd the special effects for the whelps on my Elemental King project. The thing about some special effects, like fire, is that they can cast light which has to be taken in to consideration. Today I'll demonstrate how I achieved that on the Mountain King. I've also covered Object Source Lighting previously.
The tricky thing about OSL is always that there's no going back. Here you have a nicely painted object and then suddenly it's time to paint over it all and dramatically change how it looks. It's intimidating. But also rewarding.
So, read on to learn how I use just a few paints to turn the fire elemental whelp on a chain into a sort of lantern for the King.
Wednesday, August 19, 2015
Elemental King project involves covering him in a bunch of whelps. Some are perched on him, others are bursting forth from his body! Lets look at how I've painted them and added some extra flair too.
When working on this scale and around a larger project, sometimes it's easier to paint these smaller details separate. Pictured here, you can see that I've got this whelp glued to a toothpick. This lets me paint him away from the King while getting under and around into the hard to reach places and still hold him in place to see how it looks.
Because of the elemental theme, I'll be displaying how I've painted the Whelps in styles of Fire, Earth, Water and Wind as well as creating special effects to go along with these themes.
Wednesday, August 05, 2015
Elemental King's loin cloth, is a stone tablet, which I wanted to paint the Horde symbol on. It doesn't matter what icons you're trying to paint, this article will give you tips on how to paint symbols on any surface; for example, Space Marine chapter logos and company numbers on curved shoulder pads or banners.
Monday, August 03, 2015
Google has a little more information here.
I don't know exactly what cookie information Google uses, but I do use Google Analytics and Ads on Wargaming Tradecraft, so there may be some data saved from these.
I also can't see what the notice looks like since I use a custom domain, so my apologies if it's annoying.
Wednesday, July 29, 2015
saga of the Elemental King, I've got a brief article on his loin cloth. (haha) Not really anything fancy going on here, but I'll cover it nonetheless.
As I've demonstrated before, stippling / sponging is a great way to paint leather because of the texture it adds. So as an undercoat, I've painted some layers of mixed size dots by changing up how firm I'm pressing the sponge onto the surface. I want the cloth to be red when I'm done, so I use a number of red and browns of different brightnesses. Because of the nature of leather, don't even wait for paint to dry - let it mix.
At this stage, don't worry about the details of stitching that hold the sections together. That'll get painted later.
Wednesday, July 22, 2015
painting the Mountain King's skin, his stones were the other large task I was faced with. It meant a lot of airbrushing, time consuming edge highlighting and possibly the most tedious task I have ever done in my time painting.
All well worth it and along the way his "stones" became more "crystal." The artistic process is a fluid one. Allow your vision to shift if things start veering away from your original destination as long as you're pleased with how it's coming together.
Take a look at the Elemental King's completed photos and an outline.